Writing the Blues ACTIVITY
Questions about the following activity:
- What grades can this activity be use for? – Can it be adapted to 4&5, 6&7, 8&9?
- What are the GA Standard Performance catalog numbers for each grade?
- Read the list below regarding responses to “When we say someone has ‘the Blues’, what do we mean? – What are the more PC or less controversial responses we can use? – Do you have other suggestions?
Write Your Own Blues: Blues Structure
Blues generally have relatively simple harmonic and lyric structures. A twelve bar blues contains three lines of four measures (with four beats per measure). Because the first line of each verse is repeated, we only need to create two rhyming lines for each verse. For example:
I believe I’ll travel—I believe I’ll get away.
I believe I’ll travel—I believe I’ll get away.
I’m goin’ down to Carolina, the Bull City’s where I’m gonna stay.
From “The Bull City Blues”, (©1996, Scott Ainslie) Used by permission.
In music, as in poetry, we identify the form of a verse by assigning a new letter of the alphabet to each different line in the form. The first line of this verse is thereby assigned (A), the repeat of the line (A) and the rhyming third line (B):
(A) I believe I’ll travel—I believe I’ll get away.
(A) I believe I’ll travel—I believe I’ll get away.
(B) I’m goin’ down to Carolina, the Bull City’s where I’m gonna stay.
This is known as an [A-A-B] Form, where the first line is sung twice and rhymes with the following line. Part of the beauty of this form is that it is simple enough to allow for improvising lyrics in the midst of a song—and gives you time during the repeat to think of the rhyming line!
Your Blues can be written en masse, in small groups, or by individual students. Going after the first one en masse tends to get the ball rolling and acclimates everyone to the messiness of the brainstorming/creative process.
Before beginning a class Blues, it helps to solicit what it means to have ‘the Blues’. Ask your students: “When we say someone has ‘the Blues’, what do we mean? What feelings are we describing when we say someone feels ‘Blue’?”
Make a list of appropriate responses on the board. My list includes:
Lonely
Mad
Sad
Exhausted
Depressed
Jealous
Envious
Grumpy
Bored
Confined
Upset
Sick Feeling Like You’ve Been Treated Unfairly
Your classes list may be longer, or shorter, but should include some of these.
Once your have your list, you’ll need to agree on a topic for the song: it’s your Blues, and should be about things that give you the Blues. Ask your students:
“The last time you felt one of these ways—angry, sad, depressed, lonely, bored, or like you were treated unfairly—what was the cause? What gives you the Blues?”
[NOTE: I have had everything from the cafeteria food to teen (and preteen) suicide come up on these lists. Handled in an open, straight-forward manner, this can be a very cathartic exercise for a class to pursue together and may bring out things about your students' home situations that will help you better tailor your efforts to their needs. The loss of someone---whether through divorce, the death of siblings, parents, grandparents or pets---often comes up; as does the loss of a job that supports the family; having to move away from friends; and in some contexts pressure to act against your will (in the context of drugs, money or sexual situations).
One fifth grade class in Columbus, Georgia once wrote an absolutely killer tune about when parents fight. We sang it at an assembly for the PTA, and you can believe we had a lot of nervous parents out there when we introduced that Blues!
"I came home last night---and they were at it again...."]






This Blues Writing guide for the classroom is part of my BluesRoots Teachers’ Study Guide, available at http://cattailmusic.com.
Scott Ainslie
http://cattailmusic.com
http://RobertJohnsonGuitarDVD.com
http://ThundersMouthCD.com
Thank you Scott! – I will review it. – so you know what we are doing:
a group of great teachers are helping me with the SMF study guides. They are part of the SMF Education Committee. In addition to historical background and information about the artist, we create activities for each grade. These activities are based on the Georgia Performing Standard for public schools.
You can see an example of a group that is also performing next year on our education page:
http://www.savannahmusicfestival.org/education/munequitos.php
SMF – Blues Study Guide
7th
ELA7R1 The student demonstrates comprehension and shows evidence of a warranted and responsible explanation of a variety of literary and informational texts.
g. Explains and analyzes the effects of sound, form, figurative language, and graphics in order to uncover meaning in literature:
i. Sound (e.g., alliteration, onomatopoeia, internal rhyme, rhyme scheme)
ELA7LSV1 The student participates in student-to-teacher, student-to-student, and group verbal interactions. The student:
l. Employs a group decision-making technique such as brainstorming or a problem-solving sequence.
8th
ELA8R1 The student demonstrates comprehension and shows evidence of a warranted and responsible explanation of a variety of literary and informational texts.
g. Analyzes and evaluates the effects of sound, form, figurative language, and graphics in order to uncover meaning in literature:
i. Sound (e.g., alliteration, onomatopoeia, internal rhyme, rhyme scheme, meter)
ELA8LSV1 The student participates in student-to-teacher, student-to-student, and group verbal interactions. The student: Displays appropriate turn-taking behaviors.
i. Volunteers contributions and responds when directly solicited by teacher or discussion leader.
l. Employs a group decision-making technique such as brainstorming or a problem-solving sequence.
9th
ELA9LSV1 The student participates in student-to-teacher, student-to-student, and group verbal interactions. The student
c. Responds to questions with appropriate information.
i. Employs group decision-making techniques such as brainstorming or a problem-solving sequence
ELA9RL1 The student demonstrates comprehension by identifying evidence (i.e., examples of diction, imagery, point of view, figurative language, symbolism, plot events and main ideas) in a variety of texts representative of different genres (i.e., poetry, prose [short story, novel, essay, editorial, biography], and drama) and using this evidence as the basis for interpretation.